Staff Research Profiles

My studio based jewellery research explores the creative potentials for synthesising innovative digital design and manufacture with craft based hand-lead practice.

New digital technologies enable us to capture and manipulate digital data free from physical restraints and re-apply it in ways that both challenge and revisit traditional practices with fresh perspectives.

Projects typically utilise computer-aided technologies, such as digital 3D scanning, rapid-prototyping, reverse-engineering, photo-etching and laser-cutting, allowing the transfer of ornamental pattern and texture from drawings, paintings, photographs and textiles through printed surface patterning onto metals, enamels and plastics.

The concepts of sensitising the aesthetics of CAD by reflection on hand-process and embracing the computer as a tool for creative freedom rather than perfection is one I have championed in exhibitions and conference papers over the past decade. Current work links this practice lead research with fine artists and makers working with print, ceramic, metal and glass. How this wider community explores possibilities for extending the boundaries of specialist practice via shared past / present innovation and enquiry is part of an ongoing enquiry.

Design